"5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children" by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews was released on May 10, 2024. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children, so we believe that this song is a single. The popularity of 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews is Vivace (lively and fast), since this song has a tempo of 170 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fanciulla del West / Act 1: Dove eravamo? | Giacomo Puccini, Carol Neblett, Paul Crook, John Dobson, Robin Leggate, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Minor | 0 | 4A | 59 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Gounod : Faust: Act 1 "Avant de quitter" [Valentin] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | E♭ Major | 1 | 5B | 78 BPM | ||
IPV 14: Hai Luli | Pauline Viardot, Sivan Goldman, Shira Shaked | G Minor | 2 | 6A | 138 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Hunting Bats (feat. The BBC Concert Orchestra and the UK Chinese Ensemble) | Barnaby Taylor, BBC Concert Orchestra, UK Chinese Ensemble | A Minor | 0 | 8A | 73 BPM | ||
Puts: The Hours, Act 1: "Richmond… She Opens the Curtains" (Virginia, Chorus, Man Under the Arch) [Live] | Kevin Puts, Yannick Nézet-Séguin, John Holiday, Joyce DiDonato, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
6 Songs from A Shropshire Lad: No. 4. Think no more, lad | George Butterworth, Roderick Williams, Iain Burnside | A♭ Minor | 2 | 1A | 109 BPM | ||
La sonnambula, Act I: Prendi: l'anel ti dono - Edit | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | E Major | 3 | 12B | 130 BPM |
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