George Butterworth, Roderick Williams, Iain Burnside made "6 Songs from A Shropshire Lad: No. 4. Think no more, lad" available on July 27, 2010. With 6 Songs from A Shropshire Lad: No. 4. Think no more, lad being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 25 in English Song Series, Vol. 20: Butterworth by George Butterworth, Roderick Williams. In terms of popularity, 6 Songs from A Shropshire Lad: No. 4. Think no more, lad is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of 6 Songs from A Shropshire Lad: No. 4. Think no more, lad by George Butterworth, Roderick Williams, Iain Burnside is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El Niño: Se Habla De Gabriel | John Adams, Kent Nagano, Deutsches Symphonie-Orchester Berlin | F♯ Minor | 0 | 11A | 111 BPM | ||
Considering Matthew Shepard: Passion, 23. In Need of Breath | Craig Hella Johnson, Conspirare | E♭ Minor | 1 | 2A | 89 BPM | ||
Aesop's Fables: No. 1. The Hare and the Tortoise | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | G Major | 1 | 9B | 70 BPM | ||
St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ) | Johann Sebastian Bach, Polyphony, Orchestra of the Age of Enlightenment, Neal Davies, Ian Bostridge, Roderick Williams, Stephen Layton | F Minor | 3 | 4A | 118 BPM | ||
Chausson: Les papillons, Op. 2, No. 3 | Ernest Chausson, Susan Graham, Malcolm Martineau | G Major | 1 | 9B | 78 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Choir of King's College, Cambridge, John Carol Case, Sir David Willcocks, New Philharmonia Orchestra | G Major | 1 | 9B | 145 BPM | ||
The House of Life: Love-sight | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | A Major | 0 | 11B | 129 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 5, On the Alm | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | G Minor | 1 | 6A | 134 BPM | ||
In terra pax, Part II: Sentinelle, que dis-tu de la nuit? (Watchman, what of the night?) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | E♭ Minor | 1 | 2A | 88 BPM |
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