Johann Sebastian Bach, Polyphony, Orchestra of the Age of Enlightenment, Neal Davies, Ian Bostridge, Roderick Williams, Stephen Layton's 'St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ)' came out on February 24, 2013. The duration of St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ) is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 43 in Bach: St John Passion by Johann Sebastian Bach, Orchestra of the Age of Enlightenment, Stephen Layton. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of St John Passion, BWV 245, Pt. 2: No. 18, Recit. Da sprach Pilatus zu ihm (Evangelist/Pilate/Christ) by Johann Sebastian Bach, Polyphony, Orchestra of the Age of Enlightenment, Neal Davies, Ian Bostridge, Roderick Williams, Stephen Layton is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": III. Presto | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 111 BPM | ||
Sonata in D Major, No. 1: III. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A♭ Major | 4 | 4B | 117 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
(Ré)inventio: No. 13 in A Minor [After J.S. Bach's BWV 784] | Chiahu Lee, Johann Sebastian Bach, Yulia Vershinina-Mukhopadhyay | E Minor | 2 | 9A | 112 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |
Section: 0.708082914352417
End: 0.7114577293395996