"Simon Boccanegra: Il lacerato spirito" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Marco Pauluzzo was released on April 18, 2017. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time, Vol. 2". In this album, this song's track order is #49. The popularity of Simon Boccanegra: Il lacerato spirito is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Simon Boccanegra: Il lacerato spirito by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Marco Pauluzzo having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La gazza ladra: Overture | Gioachino Rossini, Leonard Bernstein, New York Philharmonic | E Major | 4 | 12B | 176 BPM | ||
Tenderness | Franco Piersanti, Accademia Musicale Italiana | D Major | 3 | 10B | 83 BPM | ||
Nell'antro del re della montagna | The London Promenade Orchestra, Eric Hammerstein | D Minor | 0 | 7A | 117 BPM | ||
Carmen: La fleur que tu m'avais jetée | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Stefano Secco | D♭ Major | 2 | 3B | 123 BPM | ||
Rapsodia Hungara No 2 | Orquesta Sinfónica De Eslovaquia | D♭ Major | 3 | 3B | 141 BPM | ||
Preludio No. 1 "The Building Room" - After The Well-Tempered Clavier, Book 1, Prelude No. 1, BWV 846 by Johann Sebastian Bach | Ezio Bosso | C Major | 1 | 8B | 138 BPM | ||
Aida (Marcia trionfale) | Orchestra Sinfonica e Coro della Scandinavian Collegium | E♭ Major | 3 | 5B | 56 BPM | ||
Aria sulla quarta corda (Seven) | Compagnia d'Opera Italiana Orchestra | G Major | 4 | 9B | 96 BPM | ||
Suite española No. 1, Op. 47: Asturias (Leyenda) | Isaac Albéniz, Alicia de Larrocha | E♭ Major | 1 | 5B | 134 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM |
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