Gioachino Rossini, Leonard Bernstein, New York Philharmonic's 'La gazza ladra: Overture' had a release date set for 1961. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rossini - Ouvertures". In this album, this song's track order is #4. The popularity of La gazza ladra: Overture is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La gazza ladra: Overture by Gioachino Rossini, Leonard Bernstein, New York Philharmonic having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Beethoven: Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 0 | 4B | 72 BPM | ||
Smyth: The Wreckers: Overture | Ethel Smyth, Scottish National Orchestra/Sir Alexander Gibson | D Major | 1 | 10B | 132 BPM | ||
Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Minor | 2 | 5A | 58 BPM | ||
Water Music: Suite No. 1 in F Major, HWV 348, VII. Air | George Frideric Handel, Pierre Boulez, New York Philharmonic | F Major | 1 | 7B | 83 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Má Vlast, JB1:112: II. Vltava | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM | ||
Overture 1812, Op.49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
La Traviata: "Intermezzo" | Yuri Sazonoff & Jerry Caringi | B Major | 1 | 1B | 127 BPM |