"Rapsodia Hungara No 2" by Orquesta Sinfónica De Eslovaquia was released on December 1, 2008. Since Rapsodia Hungara No 2 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Rapsodias Hungaras". In this album, this song's track order is #2. Based on our statistics, Rapsodia Hungara No 2's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rapsodia Hungara No 2 by Orquesta Sinfónica De Eslovaquia having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Persian March, Op. 298 | Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk | G Minor | 3 | 6A | 178 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Tocata y Fuga in D Minor, BWV 565 | Angel Antonio González | D Minor | 2 | 7A | 76 BPM | ||
William Tell: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 88 BPM | ||
Suite for Cello Solo No. 1 in G Major, BWV 1007: 1. Prélude | Johann Sebastian Bach, Lynn Harrell | G Major | 1 | 9B | 168 BPM | ||
Solomon, HWV 67, Act III: No. 42 Symphony: Arrival of the Queen of Sheba | George Frideric Handel, Daniel Reuss, Akademie für Alte Musik Berlin | B Major | 2 | 1B | 106 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM |
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