Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza's 'Gli strali d'amore (after Italian arias by A. Campra): Recitative: La mia amata Leonora (Il dottore)' came out on October 4, 2011. With Gli strali d'amore (after Italian arias by A. Campra): Recitative: La mia amata Leonora (Il dottore) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 23 out of 34 in Campra: Gli strali d'amore by Fabio Bonizzoni. In terms of popularity, Gli strali d'amore (after Italian arias by A. Campra): Recitative: La mia amata Leonora (Il dottore) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gli strali d'amore (after Italian arias by A. Campra): Recitative: La mia amata Leonora (Il dottore) by Fabio Bonizzoni, Roberta Invernizzi, Cyril Auvity, Salvo Vitale, La Risonanza is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Concerto pour orgue No. 6 en Ré Mineur, Op. 26: Presto | Michel Corrette, Fabio Bonizzoni, Ensemble La Rizonanza | F♯ Minor | 1 | 11A | 79 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Concerto III Do minore RV 119: Allegro | Modo Antiquo, Federico Maria Sardelli | C Minor | 3 | 5A | 146 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Harpsichord Concerto No. 1 in D Minor, BWV 1052: II. Adagio | Johann Sebastian Bach, Fabio Bonizzoni | F♯ Minor | 2 | 11A | 96 BPM | ||
Gothic Suite Op 25: Menuet gothique | Léon Boëllmann, William McVicker | C Major | 1 | 8B | 176 BPM | ||
Chaconne in F Minor, P. 43 | Johann Pachelbel, John Butt | D Major | 0 | 10B | 127 BPM | ||
Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio | Barbara Strozzi, Emanuela Galli, La Risonanza, Fabio Bonizzoni | F Major | 1 | 7B | 108 BPM |
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