Léon Boëllmann, William McVicker's 'Gothic Suite Op 25: Menuet gothique' came out on 1997. The duration of Gothic Suite Op 25: Menuet gothique is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Gothic Suite Op 25: Menuet gothique's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William McVicker's "Great Organ Classics" album is number 7 out of 17. The popularity of Gothic Suite Op 25: Menuet gothique is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gothic Suite Op 25: Menuet gothique by Léon Boëllmann, William McVicker to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | ||
Symphony No. 3 in C Minor: II. Andante ma non troppo | Florence Beatrice Price, Philadelphia Orchestra, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 88 BPM | ||
Organ Symphony No. 5 in F minor, Op. 42, No. 1: Organ Symphony No. 5: Toccata | Bertalan Hock, Charles-Marie Widor | F Major | 2 | 7B | 106 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
10 Pièces pour orgue: No. 4. Toccata in B Minor | Eugène Gigout, Gerard Brooks | F♯ Major | 2 | 2B | 113 BPM | ||
Symphony No. 1 for Organ and Orchestra, Op. 42: I. Introduction and Allegro | Alexandre Guilmant, Ian Tracey, Yan Pascal Tortelier, BBC Philharmonic | D Minor | 1 | 7A | 76 BPM | ||
Toccata on Amazing Grace | J. Christopher Pardini, Ken Mervine | A♭ Major | 1 | 4B | 86 BPM | ||
Allegro ma non troppo | Alexandre Pierre François Boëly, Maxime Heintz | F Minor | 3 | 4A | 163 BPM | ||
The Prince Of Denmark's March | Jeremiah Clarke, Simon Preston | D Major | 1 | 10B | 73 BPM |
Section: 0.6301522254943848
End: 0.634268045425415