Barbara Strozzi, Emanuela Galli, La Risonanza, Fabio Bonizzoni made "Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio" available on July 1, 2014. Since Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Barbara Strozzi: Arias and Cantatas by Barbara Strozzi, Emanuela Galli, Fabio Bonizzoni. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Arie a voce sola, Op. 8: Aure gia che non posso dall'idol mio by Barbara Strozzi, Emanuela Galli, La Risonanza, Fabio Bonizzoni is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vedrò con mio diletto - From "Giustino", RV 717 | Antonio Vivaldi, Valer Sabadus, Spark | B Minor | 1 | 10A | 137 BPM | ||
Begl'occhi bel seno | Barbara Strozzi, Berit Norbakken, Solmund Nystabakk | A♭ Major | 0 | 4B | 82 BPM | ||
Secunda die Lectio prima: VI. Hierusalem convertere ad dominum tuum | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 2 | 2B | 91 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
LOrfeo, SV318: Signor, Quellinfelice | Claudio Monteverdi, Musica Sequenza, BURAK, Diana Ramirez | F♯ Minor | 1 | 11A | 75 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 1, Mein Herze schwimmt im Blut | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | A Major | 1 | 11B | 87 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM |
Section: 0.6724574565887451
End: 0.6765868663787842