"Love went a-riding" by Arleen Auger was released on January 1, 2000. With Love went a-riding being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 38 in Auger, Arleen: Arias by Arleen Auger. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Love went a-riding is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love went a-riding by Arleen Auger is Vivace (lively and fast), since this song has a tempo of 176 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Paulus: I. Teil: Nr. 10 Chor "Siehe, wir preisen selig die erdultet haben" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 145 BPM | ||
Missa Votiva, ZWV 18: Kyrie I. | Jan Dismas Zelenka, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | E♭ Minor | 2 | 2A | 116 BPM | ||
Ravel: Shéhérazade, M. 41: III. L'indifférent | Maurice Ravel, Arleen Auger, Philharmonia Orchestra, Libor Pešek, Kenneth Smith | D♭ Minor | 0 | 12A | 74 BPM | ||
Il matrimonio segreto / Act 1: Sento in petto un freddo gelo | Domenico Cimarosa, Alberto Rinaldi, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim | B♭ Major | 1 | 6B | 106 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (e) Langsam. Misterioso. "Aufersteh'n, ja aufersteh'n wirst du" | Gustav Mahler, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | F♯ Major | 0 | 2B | 73 BPM | ||
Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 2 | 3B | 111 BPM | ||
Orfeo ed Euridice: Act II, Scene 1, Ballo e Aria con Coro: Deh! Placatevi con me | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | E♭ Major | 1 | 5B | 179 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Wer hat dich so geschlagen (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Major | 1 | 4B | 174 BPM | ||
Der Sänger am Felsen, D. 482 | Franz Schubert, Arleen Auger, Graham Johnson | F Major | 0 | 7B | 144 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM |
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