- BPM
- 106
- Key
- B♭ Major
- Camelot
- 6B
Il matrimonio segreto / Act 1: Sento in petto un freddo gelo - Domenico Cimarosa, Alberto Rinaldi, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim Information
- Acousticness
- 95%
- Danceability
- 33%
- Energy
- 10%
- Instrumentalness
- 0%
- Liveness
- 37%
- Loudness
- 59%
- Speechiness
- 16%
- Valence
- 11%
- Popularity
- 3%
- Loudness
- -24.59 dB
Summary
"Il matrimonio segreto / Act 1: Sento in petto un freddo gelo" by Domenico Cimarosa, Alberto Rinaldi, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim was released on January 1, 1977. Since Il matrimonio segreto / Act 1: Sento in petto un freddo gelo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 45 in Cimarosa: Il matrimonio segreto by Domenico Cimarosa, English Chamber Orchestra, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Il matrimonio segreto / Act 1: Sento in petto un freddo gelo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Il matrimonio segreto / Act 1: Sento in petto un freddo gelo BPM
The tempo marking of Il matrimonio segreto / Act 1: Sento in petto un freddo gelo by Domenico Cimarosa, Alberto Rinaldi, Julia Varady, Arleen Auger, Julia Hamari, English Chamber Orchestra, Daniel Barenboim is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Il matrimonio segreto / Act 1: Sento in petto un freddo gelo Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | |
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | |
 | Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | |
 | 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |
- ISRC
- DEF057631014
- Label
- L-M Records/RCA Records
Section: 0.7178349494934082
End: 0.7261836528778076