Slovak Radio Symphony Orchestra, Zahira Hiliman, Peter Breiner's 'Netherlands Antilles ["Our Island In The Sea, Like Gems…"] (Olympic Version)' came out on June 10, 1998. With Netherlands Antilles ["Our Island In The Sea, Like Gems…"] (Olympic Version) being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 45 in Football Classics - Classical Music That Celebrates The Great Game (1998 Edition) by Giuseppe Verdi. Netherlands Antilles ["Our Island In The Sea, Like Gems…"] (Olympic Version) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Netherlands Antilles ["Our Island In The Sea, Like Gems…"] (Olympic Version) by Slovak Radio Symphony Orchestra, Zahira Hiliman, Peter Breiner is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Light Cavalry Overture | Franz von Suppé, Royal Philharmonic Orchestra, Philip Ellis | A Major | 3 | 11B | 85 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
The Comedians - Suite, Op.26: Waltz | Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian | D♭ Major | 1 | 3B | 163 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Die Puppenfee (The Fairy Doll): Vorspiel: Allegro | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 123 BPM | ||
Le Villi: La Tregenda | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | C Minor | 3 | 5A | 123 BPM |
Section: 0.7109487056732178
End: 0.715378999710083