- BPM
- 163
- Key
- D♭ Major
- Camelot
- 3B
The Comedians - Suite, Op.26: Waltz - Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian Information
- Acousticness
- 90%
- Danceability
- 36%
- Energy
- 5%
- Instrumentalness
- 44%
- Liveness
- 38%
- Loudness
- 46%
- Speechiness
- 4%
- Valence
- 47%
- Popularity
- 23%
- Loudness
- -32.482 dB
Summary
Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian made "The Comedians - Suite, Op.26: Waltz" available on January 1, 1996. With The Comedians - Suite, Op.26: Waltz being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian's "Kabalevsky: Romeo and Juliet - Suite, The Comedians - Suite, Colas Breugnon - Suite" album is number 14 out of 24. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Comedians - Suite, Op.26: Waltz is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The Comedians - Suite, Op.26: Waltz BPM
We consider the tempo marking of The Comedians - Suite, Op.26: Waltz by Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The Comedians - Suite, Op.26: Waltz Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The "Gayne" Ballet: Mountaineers' Dance | Aram Khachaturian, Loris Tjeknavorian | C Major | 10 | 8B | 135 BPM | |
 | Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | |
 | Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Symphony No.9 in E minor, Op.95 "From the New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Cleveland Orchestra, Christoph von Dohnányi | E Minor | 1 | 9A | 127 BPM | |
 | Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | |
 | 30 Pieces for Children, Op. 27: 20. Fairy Tale | Dmitry Kabalevsky, Sahan Arzruni | E Minor | 1 | 9A | 142 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Dance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | E Minor | 3 | 9A | 82 BPM |
- ISRC
- GBUM70908936
- Label
- L-M Records/RCA Records
Section: 1.0254871845245361
End: 1.0352632999420166