Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] -
Richard Strauss, Johannes Luthy, Frank-Michael Guthmann, SWR Symphony Orchestra, François-Xavier Roth
Richard Strauss: Tone Poems, Vol. 2
1:44 October 1, 2013
BPM
79
Key
B♭ Major
Camelot
6B

Embed

Share Link

Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - - Richard Strauss, Johannes Luthy, Frank-Michael Guthmann, SWR Symphony Orchestra, François-Xavier Roth Information

Acousticness
98%
Danceability
18%
Energy
9%
Instrumentalness
90%
Liveness
11%
Loudness
61%
Speechiness
3%
Valence
5%
Popularity
Loudness
-23.182 dB

Summary

"Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] -" by Richard Strauss, Johannes Luthy, Frank-Michael Guthmann, SWR Symphony Orchestra, François-Xavier Roth was released on October 1, 2013. With Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Richard Strauss: Tone Poems, Vol. 2". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - BPM

With Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - by Richard Strauss, Johannes Luthy, Frank-Michael Guthmann, SWR Symphony Orchestra, François-Xavier Roth having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Don Quixote, Op. 35, TrV 184: Variation 8: Die Fahrt auf dem verzauberten Nachen [Barcarolle] - Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François PaillardDebussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François PaillardD Major310B117 BPM
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo by Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André PrevinViolin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. VivacissimoSergei Prokofiev, Gil Shaham, London Symphony Orchestra, André PrevinA Minor28A145 BPM
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo by Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt MasurMorceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppoCamille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt MasurF Major17B122 BPM
Elektra: Iv. Ich kann nicht sitzen… by Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerElektra: Iv. Ich kann nicht sitzen…Richard Strauss, Hugo von Hofmannsthal, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried KöhlerF♯ Major12B88 BPM
Elektra: Xxvi. Agamemnon hört dich! by Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried KöhlerElektra: Xxvi. Agamemnon hört dich!Hugo von Hofmannsthal, Richard Strauss, Lennart Stregård, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried KöhlerD♭ Major53B118 BPM
Appalachian Spring: VIII. Coda. Moderato by Aaron Copland, Leonard Bernstein, New York PhilharmonicAppalachian Spring: VIII. Coda. ModeratoAaron Copland, Leonard Bernstein, New York PhilharmonicC Major08B106 BPM
Piano Concerto in G Major, M. 83: II. Adagio assai by Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezPiano Concerto in G Major, M. 83: II. Adagio assaiMaurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre BoulezE Major012B74 BPM
Warsaw Concerto by Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh WolffWarsaw ConcertoRichard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh WolffB Major11B76 BPM
Arabella, Op. 79, TrV 263: Das war sehr gut, Mandryka by Richard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus StenzArabella, Op. 79, TrV 263: Das war sehr gut, MandrykaRichard Strauss, Anne Schwanewilms, Gürzenich Orchester Köln, Markus StenzA Major111B133 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: The FightSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major48B108 BPM
ISRC
DEA551231556
Label
L-M Records/RCA Records

Section: 0.6965112686157227

End: 0.7016510963439941