Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado made "Romeo And Juliet, Op. 64 / Act 3: 48. Aubade" available on May 8, 2020. The duration of Romeo And Juliet, Op. 64 / Act 3: 48. Aubade is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Romeo And Juliet, Op. 64 / Act 3: 48. Aubade's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Prokofiev: Essentiel". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Germany. Romeo And Juliet, Op. 64 / Act 3: 48. Aubade is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Romeo And Juliet, Op. 64 / Act 3: 48. Aubade by Sergei Prokofiev, Berliner Philharmoniker, Claudio Abbado having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo (Vivacissimo) | Sergei Prokofiev, Vilde Frang/WDR Sinfonieorchester Köln/Thomas Søndergård, Thomas Søndergård, WDR Sinfonieorchester Köln | A Minor | 2 | 8A | 133 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): They all march together, Peter, then the Hunters with the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 108 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |
Section: 0.7587313652038574
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