Alfredo Casella, BBC Philharmonic Orchestra, Gianandrea Noseda's 'La donna serpente Suite No. 1, Op. 50bis: II. Interludio. Andante moderato' came out on May 1, 2012. With La donna serpente Suite No. 1, Op. 50bis: II. Interludio. Andante moderato being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 14 in Casella: Orchestral Works, Vol. 2 by Alfredo Casella, Gianandrea Noseda, BBC Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, La donna serpente Suite No. 1, Op. 50bis: II. Interludio. Andante moderato's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of La donna serpente Suite No. 1, Op. 50bis: II. Interludio. Andante moderato by Alfredo Casella, BBC Philharmonic Orchestra, Gianandrea Noseda is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 1. Prelude in C-Sharp Minor | Alexander Scriabin, Maria Lettberg | G Major | 3 | 9B | 141 BPM | ||
4 Piano Pieces, Op. 119: I. Intermezzo. Adagio - Musical Moments | Johannes Brahms, Elisabeth Brauß | B Minor | 0 | 10A | 66 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Silent Woods, Op. 68/5 - version for Cello and Piano: Silent Woods | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | F♯ Major | 0 | 2B | 92 BPM | ||
Cello Sonata No. 2 in F Major, Op. 123: III. Romanza: Poco adagio | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | B♭ Major | 0 | 6B | 76 BPM |
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