- BPM
- 176
- Key
- B♭ Major
- Camelot
- 6B
Armide: Act IV: Entr'acte (Air) - Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown Information
- Acousticness
- 96%
- Danceability
- 21%
- Energy
- 7%
- Instrumentalness
- 46%
- Liveness
- 28%
- Loudness
- 47%
- Speechiness
- 6%
- Valence
- 62%
- Popularity
- 0%
- Loudness
- -31.694 dB
Summary
Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown made "Armide: Act IV: Entr'acte (Air)" available on October 28, 2008. With Armide: Act IV: Entr'acte (Air) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Jean-Baptiste Lully, Ryan Brown's "Lully, J.: Armide (Opera Lafayette, 2007)" album is number 9 out of 28. The popularity of Armide: Act IV: Entr'acte (Air) is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Armide: Act IV: Entr'acte (Air) BPM
We consider the tempo marking of Armide: Act IV: Entr'acte (Air) by Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Armide: Act IV: Entr'acte (Air) Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | |
 | Atys, Acte IV, Scène 6: "Venez former" (Chœur de Dieux & Divinités) | Jean-Baptiste Lully, Guy De Mey, Jean-François Gardeil, Bernard Deletré, Les Arts Florissants, William Christie | B Major | 2 | 1B | 91 BPM | |
 | Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | |
 | St. Matthew Passion, BWV 244: Pt. II: Aria. Erbarme dich, mien Gott (Alto) | Johann Sebastian Bach, Christoph Prégardien, Klaus Mertens, Monika Frimmer, Veronika Winter, Lena Susanne Norin, Wilfried Jochens, Hans-Georg Wimmer, Rheinische Kantorei, Kleine Konzert, Das, Hermann Max | D♭ Major | 1 | 3B | 111 BPM | |
 | Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | |
 | Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | |
 | Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | |
 | La Nuit Ballet: Le Roi représentant le soleils levant | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 111 BPM | |
 | Isis, LWV 54: Act IV, Voyages et métamorphoses: Tôt tôt tôt… | Jean-Baptiste Lully, Marc Mauillon, Edwin Crossley-Mercer, Les Pages et les Chantres du Centre de Musique Baroque de Versailles, Les Symphonistes du Centre de Musique Baroque de Versailles, Musica Florea, Olivier Schneebeli | F♯ Minor | 1 | 11A | 81 BPM | |
 | Troisième livre de pièces de clavecin: 18ème ordre, Le tic-toc-choc ou les maillotins - Adapted by Marina Baranova | François Couperin, Marina Baranova | A♭ Major | 0 | 4B | 69 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5668466091156006
End: 0.5710923671722412