Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale - Kurt Weill, London Sinfonietta, David Atherton Information

"Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale" by Kurt Weill, London Sinfonietta, David Atherton was released on January 1, 1976. With this song being about 5 minutes long, at 5:14, "Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale" by Kurt Weill, London Sinfonietta, David Atherton is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #8 out of 42 tracks. In terms of popularity, Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale BPM

Since Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.

Suite For Wind Orchestra From "The Threepenny Opera" (1928): 7. Dreigroschen-Finale Key

This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.