Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante) - Benjamin Britten, François Leleux Information

Acousticness: 97%
Danceability: 33%
Energy: 6%
Instrumentalness: 68%
Liveness: 19%
Loudness: 57%
Speechiness: 5%
Valence: 15%
Popularity: 2%
Loudness: -25.791 dB

Summary

"Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante)" by Benjamin Britten, François Leleux was released on 1995. The duration of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 24 in Britten & Poulenc: Works for Oboe by François Leleux. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante) BPM

The tempo marking of Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante) by Benjamin Britten, François Leleux is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.

Six Metamorphoses after Ovid for Solo Oboe, Op. 49: III. Niobe (Andante) Key

E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Andante Festivo	Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi	G Major	1	9B	86 BPM
Saint Nicolas, Op. 42: He Comes To Myra and Is Chosen Bishop	Benjamin Britten, Sir Peter Pears, Aldeburgh Festival Chorus, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra	D Major	3	10B	64 BPM
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia	Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi	G Minor	7	6A	100 BPM
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto	Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi	G Major	0	9B	129 BPM
Johnny	Wystan Hugh Auden, Benjamin Britten, Sarah Walker, Roger Vignoles	A♭ Major	0	4B	87 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: II. Adagio	Henry Purcell, John Eliot Gardiner, David Blackadder, English Baroque Soloists	D♭ Minor	0	12A	103 BPM
Geistliches Lied, Op. 30	Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones	E♭ Major	1	5B	172 BPM
Aleko: Intermezzo	Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel	B♭ Major	0	6B	90 BPM
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana	Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio	B♭ Major	1	6B	96 BPM
Sonata For Arpeggione And Piano In A Minor, D. 821: 1. Allegro moderato	Franz Schubert, Mstislav Rostropovich, Benjamin Britten	A Minor	1	8A	96 BPM

ISRC: FRZ149513180
Label: L-M Records/RCA Records

Section: 0.978487491607666

End: 0.9818952083587646