William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny's 'Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part' came out on April 27, 1998. With Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Walton: Henry V by William Walton, Andrew Penny. The song's track number on the album is #4 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Henry V (adapted by Christopher Palmer): IV. Interlude: Touch her Soft Lips and Part being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM | ||
Belshazzar's Feast: Then sing aloud to God | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | F Major | 3 | 7B | 48 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
English Dances, Set 2, Op. 33: No. 1. Allegro non troppo | Malcolm Arnold, Queensland Symphony Orchestra, Andrew Penny | B♭ Major | 3 | 6B | 84 BPM | ||
Lachrimae Coactae Pavan | John Dowland, Thurston Dart, Thurson Dart, London Philharmonic Orchestra | C Major | 1 | 8B | 153 BPM | ||
Guerra e pace (Film Music Suite): Andrea e Natascha | Nino Rota, WDR Funkhausorchester Köln, Felix Bender | D Major | 2 | 10B | 76 BPM | ||
49th Parallel Suite: Prelude | RTE Concert Orchestra, Ralph Vaughan Williams | G Major | 1 | 9B | 87 BPM | ||
The Snow Maiden, Op. 12, Prologue: No. 1, Introduction (Moderato assai) | Pyotr Ilyich Tchaikovsky, BBC Scottish Symphony Orchestra, Alpesh Chauhan | A Major | 4 | 11B | 86 BPM | ||
Symphony No. 6: II. Adagio | George Lloyd, BBC Philharmonic | F Minor | 0 | 4A | 70 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |
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