"49th Parallel Suite: Prelude" by RTE Concert Orchestra, Ralph Vaughan Williams was released on May 15, 1995. The duration of 49th Parallel Suite: Prelude is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 49th Parallel Suite: Prelude's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vaughan Williams: 49th Parallel / Story Of A Flemish Farm by RTE Concert Orchestra. The song's track number on the album is #1 out of 19 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. 49th Parallel Suite: Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 49th Parallel Suite: Prelude by RTE Concert Orchestra, Ralph Vaughan Williams has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With 49th Parallel Suite: Prelude being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over the Stone: IV. Crossing the Stone | Karl Jenkins, Alis Huws, Coronation Orchestra, Antonio Pappano | F Minor | 1 | 4A | 63 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
The Story Of A Flemish Farm Suite: Dawn In The Barn - The Parting Of The Lovers | RTE Concert Orchestra, Ralph Vaughan Williams | G Minor | 0 | 6A | 132 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Vespers, Op. 37: Nunc dimittis | Sergei Rachmaninoff, Franck Krawczyk, Sinfonia Varsovia | E♭ Minor | 0 | 2A | 84 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM |
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