Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan's 'Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Sanctus Dominus Deus Sabaoth' came out on January 1, 1996. The duration of Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Sanctus Dominus Deus Sabaoth is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Sanctus Dominus Deus Sabaoth's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 21 in Beethoven: Missa Solemnis, Op. 123 by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Sanctus Dominus Deus Sabaoth is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass in D Major, Op. 123 "Missa Solemnis": Sanctus: Sanctus Dominus Deus Sabaoth by Ludwig van Beethoven, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Walter Berry, Berliner Philharmoniker, Herbert von Karajan is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Leb wohl, du warmes Sonnenlicht | Ludwig van Beethoven, Nina Stemme, Rachel Harnisch, Christoph Strehl, Falk Struckmann, Christof Fischesser, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | C Major | 7 | 8B | 125 BPM | ||
Fidelio, Op. 72 / Act I: "Ha! Welch ein Augenblick!" | Ludwig van Beethoven, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein, Vienna State Opera Chorus | B♭ Major | 4 | 6B | 77 BPM | ||
Tosca / Act 1: "Tre sbirri... Una carozza... Presto" - Te Deum | Giacomo Puccini, Giuseppe Taddei, Piero de Palma, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | C Minor | 3 | 5A | 132 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Symphony No. 3 in F Major, Op. 90: 4. Allegro | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 79 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Mass in D Major, Op. 123 "Missa Solemnis": Gloria | Ludwig van Beethoven, Charlotte Margiono, Catherine Robbin, William Kendall, Alastair Miles, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Elizabeth Wilcock, Alastair Ross, The Monteverdi Choir | D Major | 2 | 10B | 92 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 76 BPM | ||
Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM |
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