Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan made "Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King" available on January 1, 1989. The duration of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan's "Grieg: Peer Gynt Suites Nos.1 & 2; From Holberg's Time; Sigurd Jorsalfar" album is number 4 out of 16. On top of that, Germany appears to be the country where this track was created. Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 In D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 80 BPM | ||
Symphony No. 2 in B Flat Major, D. 125: III. Menuetto (Allegro vivace) | Franz Schubert, Berliner Philharmoniker, Karl Böhm | C Minor | 2 | 5A | 135 BPM | ||
Symphony No. 2 In D, Op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 88 BPM | ||
Festive Overture, Op.96 | Dmitri Shostakovich, Maxim Shostakovich, London Symphony Orchestra | A Major | 3 | 11B | 83 BPM | ||
Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 82 BPM | ||
Valse triste, Op. 44 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 78 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 2. Fugue | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 91 BPM | ||
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt) | Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti | A Minor | 3 | 8A | 108 BPM | ||
Wagner: Tristan und Isolde: Prelude to Act 3 | Richard Wagner, Daniel Barenboim, Berliner Philharmoniker | F Minor | 0 | 4A | 150 BPM | ||
Symphony No. 9 in D Major: A tempo II - Live | Gustav Mahler, Berliner Philharmoniker, Leonard Bernstein | D♭ Major | 1 | 3B | 107 BPM |
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