Juan Mostazo Morales, Plácido Domingo, José Maria Gallardo del Rey, Orquesta de la Comunidad de Madrid, Miguel Roa, Emilio Aragón's 'Falsa moneda - Orchestrated By Emilio Aragón' came out on March 1, 2019. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There is only one song in 50 Años No Es Nada, so we believe that "Falsa moneda - Orchestrated By Emilio Aragón" is a single. In terms of popularity, Falsa moneda - Orchestrated By Emilio Aragón is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Falsa moneda - Orchestrated By Emilio Aragón by Juan Mostazo Morales, Plácido Domingo, José Maria Gallardo del Rey, Orquesta de la Comunidad de Madrid, Miguel Roa, Emilio Aragón is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tacea la Notte Placida (Il Trovatore) | Renata Tebaldi, Orchestre de la Suisse Romande | D Major | 3 | 10B | 85 BPM | ||
Golondrina de Madrid: "¡Otra Vez Juntos!¡Éste Me Sigue!" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Caro mio ben | Giuseppe Giordani, Ramón Vargas | G Major | 2 | 9B | 91 BPM | ||
Samson et Dalila (1997 Digital Remaster): Mon coeur s'ouvre à ta voix. | Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise, Maria Callas | D♭ Major | 1 | 3B | 81 BPM | ||
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | ||
Eugene Onegin, Op. 24, TH 5, Eugene Onegin, Op. 24, Act II: Uzhel ya zasluzhil ot vas nasmyeshku etu? | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A Minor | 1 | 8A | 71 BPM | ||
La traviata: "Addio del passato" | Parma Brass Quintet | A Minor | 2 | 8A | 95 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM |
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