Marc-Antoine Charpentier, Lorraine Hunt Lieberson, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus)' came out on March 28, 1995. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 43 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Charpentier : Médée, Act 3: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus) is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Charpentier : Médée, Act 3: "Dieu du Cocyte et des Royaumes sombres" (Médée, Chorus) by Marc-Antoine Charpentier, Lorraine Hunt Lieberson, William Christie, Les Arts Florissants is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pour un reposoir, H. 508: II. Tantum ergo | Marc-Antoine Charpentier, Les Dominos, Les Agrémens, Chœur De Chambre De Namur, Florence Malgoire | F Minor | 1 | 4A | 80 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Médée, H. 491, Prologue: Canaries | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 1 | 6A | 93 BPM | ||
Bach, JS: Mass in F Major, BWV 233: Gloria | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | E Major | 4 | 12B | 97 BPM | ||
Cavalli: L'Eliogabalo: Sinfonia | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 98 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Endimione e Cintia: Aria "Se geloso è il mio core" | Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings | D♭ Major | 1 | 3B | 110 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Marche de Timbales | Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie | A Major | 2 | 11B | 80 BPM |
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