Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings's 'Endimione e Cintia: Aria "Se geloso è il mio core"' came out on October 1, 2015. The duration of Endimione e Cintia: Aria "Se geloso è il mio core" is about 3 minutes long, at 3:01. Based on our data, "Endimione e Cintia: Aria "Se geloso è il mio core"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 17 in Alessandro Scarlatti: Con eco d'amore by Alessandro Scarlatti, Elizabeth Watts, Laurence Cummings, The English Concert. In terms of popularity, Endimione e Cintia: Aria "Se geloso è il mio core" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Endimione e Cintia: Aria "Se geloso è il mio core" by Alessandro Scarlatti, Elizabeth Watts, The English Concert, Laurence Cummings is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Suite in F Major: IV. Sarabande | Louis Couperin, Laurence Cummings | E Major | 2 | 12B | 93 BPM | ||
Brandenburg Concerto No. 4 in G Major, BWV. 1049: I. Allegro | Johann Sebastian Bach, The English Concert, Trevor Pinnock | F♯ Major | 2 | 2B | 94 BPM | ||
Zefiro torna, e di soavi accenti, SV 251 | Claudio Monteverdi, Les Arts Florissants, William Christie | G Major | 1 | 9B | 110 BPM | ||
Concerto grosso in D Minor, Op. 3/11, RV. 565: I. Allegro - Adagio - Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Jaap Ter Linden, The English Concert, Trevor Pinnock | B Major | 2 | 1B | 110 BPM | ||
Siface: Come Nave in mezzo all'onde | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Major | 4 | 12B | 140 BPM | ||
Water Music, Suites 2 & 3 In D/G, HWV 348: 6. Bourrée | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 116 BPM | ||
from 7 Arie con Tromba Sola: 6. Mio tesoro per te moro (Aria in forma di Menuet alla Francese) - Voice | Alessandro Scarlatti, Wynton Marsalis, Kathleen Battle, John Nelson | D Major | 1 | 10B | 133 BPM | ||
Rinaldo, HWV 7a: Ouverture | Christophe Rousset, Les Talens Lyriques | D♭ Minor | 1 | 12A | 126 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM |
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