"Marche de Timbales" by Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie was released on April 27, 1989. With Marche de Timbales being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Marche de Timbales is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Marche de Timbales by Philidor le Cadet, Marie-Ange Petit, Les Arts Florissants, William Christie is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Charpentier : Médée, Act 1: "Pour flatter mes ennemis" (Médée, Nérine) | Marc-Antoine Charpentier, William Christie, Les Arts Florissants, Lorraine Hunt, Noemi Rime | D♭ Minor | 1 | 12A | 128 BPM | ||
Gloria, RV. 589: Duetto "Laudamus te, benedicimus te" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew, Sophie Karthäuser, Lucile Richardot | B Minor | 1 | 10A | 75 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Andante in F Minor | Lajos Lencsés, Gaetano Donizetti, Stuttgart Arcata Chamber Orchestra, Patrick Strub | F Minor | 1 | 4A | 63 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Platée, RCT 53, Acte 3 Scène 6: Musette | Jean-Philippe Rameau, Les Arts Florissants, William Christie | F Major | 1 | 7B | 91 BPM | ||
Litanies de la Vierge, H. 83: VII. Rosa mystica | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Kaori Uemura, Anne Marie Lasla | A♭ Major | 1 | 4B | 181 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Concerto for Treble Recorder, Strings and Continuo in C: 4. Tempo di Minuet | Georg Philipp Telemann, New London Consort, Philip Pickett | F♯ Major | 1 | 2B | 131 BPM |
Section: 1.0250294208526611
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