Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno made "Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris)" available on December 1, 2014. The duration of Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 40 in Cherubini: Medea (1959) by Luigi Cherubini, Maria Callas, Joan Carlyle, Nicola Rescigno, Royal Opera House Chorus, Covent Garden. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris)'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Medea (Medee) (Sung in Italian): Act III: T'arresta! (Medea, Giasone, Chorus, Neris) by Luigi Cherubini, Nicola Zaccaria, Joan Carlyle, Jon Vickers, Maria Callas, Fiorenza Cossotto, David Allen, Mary Wells, Elizabeth Rust, Royal Opera House Chorus, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Nicola Rescigno is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem C-Moll: 2. Graduel | Luigi Cherubini, Akiho Tsujii, Martin Lattke, Paul Kroeger, Kammerchor der Frauenkirche, Philharmonisches Orchestra Altenburg Gera, Matthias Grünert | G Minor | 1 | 6A | 103 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Requiem, Op. 9 (1961 version): Kyrie | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 2 | 7B | 85 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Mass No. 4 in C Major, Op. 48, D. 452: Credo: Et incarnatus est | Franz Schubert, Claudia Reinhard, Christine Wehler, Raimund Minarschik, Tobias Berndt, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Laudate pueri Dominum, RV 600: Sit nomen Domini benedictum | Antonio Vivaldi, Tracy Smith Bessette, Aradia Ensemble, Kevin Mallon | G Major | 4 | 9B | 92 BPM | ||
Medea (Medee) (Sung in Italian): Act III: D'amore il raggio ancora (Neris) | Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini | D Major | 2 | 10B | 87 BPM | ||
Oratorio pour le couronnement des princes souverains de toute la chrétienté: No. 14, Allegretto pomposo e nobile | Jean François Lesueur, Chorus Musicus Das Neue Orchester, Christoph Spering | A♭ Major | 2 | 4B | 80 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Delizie contente | Francesco Cavalli, Cecilia Bartoli, György Fischer | F Minor | 1 | 4A | 92 BPM |
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