Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, Rosemary Hardy, English Bach Festival Baroque Orchestra made "Cavalli: Ercole amante, Act 2, Scena 7: "Vanne e fa breve dimora" (Pasitea, Coro)" available on July 1, 1981. With Cavalli: Ercole amante, Act 2, Scena 7: "Vanne e fa breve dimora" (Pasitea, Coro) being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 79 in Cavalli: Ercole amante by Francesco Cavalli, Ulrik Cold, Yvonne Minton, Felicity Palmer, English Bach Festival Baroque Orchestra, Michel Corboz. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Cavalli: Ercole amante, Act 2, Scena 7: "Vanne e fa breve dimora" (Pasitea, Coro) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Cavalli: Ercole amante, Act 2, Scena 7: "Vanne e fa breve dimora" (Pasitea, Coro) by Francesco Cavalli, Michel Corboz, English Bach Festival Chorus, Luciano Sgrizzi, Rosemary Hardy, English Bach Festival Baroque Orchestra is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice, Prologo: Sinfonia a 5 | Luca Marenzio, Ensemble Albalonga, Aníbal E. Cetrangolo | F Major | 0 | 7B | 129 BPM | ||
Stabat Mater: Eja Mater, fons amoris… Fac, ut ardeat … Sancta Mater… Tui nati vulnerati | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Coro della Radiotelevisione Svizzera, Daniel Behle, Julian Prégardian, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 87 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Violin Sonata No. 2 in D Major: I. Presto | Élisabeth Jacquet de La Guerre, Lina Tur Bonet, Patxi Montero, Kenneth Weiss | C Major | 1 | 8B | 86 BPM | ||
Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Germanico in Germania: Parto ti lascio, o cara | Nicola Porpora, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Minor | 1 | 12A | 175 BPM |
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