- BPM
- 68
- Key
- E♭ Major
- Camelot
- 5B
Faust, Ballet Music: II. Adagio - Charles Gounod, London Symphony Orchestra, Alfred Scholz Information
- Acousticness
- 96%
- Danceability
- 9%
- Energy
- 4%
- Instrumentalness
- 89%
- Liveness
- 14%
- Loudness
- 52%
- Speechiness
- 5%
- Valence
- 11%
- Popularity
- 2%
- Loudness
- -28.856 dB
Summary
"Faust, Ballet Music: II. Adagio" by Charles Gounod, London Symphony Orchestra, Alfred Scholz was released on January 1, 2009. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Gounod, London Symphony Orchestra, Alfred Scholz's "Gounod: Faust - Ave Maria" album is number 2 out of 8. Faust, Ballet Music: II. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Faust, Ballet Music: II. Adagio BPM
We consider the tempo marking of Faust, Ballet Music: II. Adagio by Charles Gounod, London Symphony Orchestra, Alfred Scholz to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Faust, Ballet Music: II. Adagio Key
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Ave Maria, CG89a (from Bach Prelude in C, BWV 846) | Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom | F Major | 1 | 7B | 131 BPM | |
 | Norma / Act I: "Casta Diva" (Arr. by Mathieu Herzog for Cello and Orchestra) | Vincenzo Bellini, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | F Major | 1 | 7B | 91 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | |
 | Requiem, Op. 48: VIII. In Paradisum | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, La Maîtrise de Paris | D Major | 1 | 10B | 74 BPM | |
 | Ave Maria: Arr. from Bach's Prelude No. 1, BWV 846 (Arr. by Maisky) | Charles Gounod, Pavel Gililov, Mischa Maisky | C Major | 1 | 8B | 89 BPM | |
 | 5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM | |
 | Messe solennelle de Sainte Cecile: Sanctus | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Munich Philharmonic Orchestra, Hans Rudolf Zöbeley | F Major | 2 | 7B | 89 BPM | |
 | Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | |
 | Gounod: Roméo et Juliette, CG 9, Act 1: No. 3 "Ah! Je veux vivre dans le rêve" (Juliette) | Charles Gounod, Diana Damrau, Munich Radio Orchestra | F Major | 1 | 7B | 78 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7518248558044434
End: 0.7560124397277832