"Virgin-born, we bow before thee - Mon Dieu, prête-moi" by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge was released on June 8, 1986. The duration of Virgin-born, we bow before thee - Mon Dieu, prête-moi is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Virgin-born, we bow before thee - Mon Dieu, prête-moi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 24 in A Vaughan Williams Hymnal by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Virgin-born, we bow before thee - Mon Dieu, prête-moi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Virgin-born, we bow before thee - Mon Dieu, prête-moi by Ralph Vaughan Williams, The Choir Of Trinity College, Cambridge is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Concerto accademico (Concerto for violin and strings in D minor): III. Presto | Ralph Vaughan Williams, Bradley Creswick/Northern Sinfonia of England/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 3 | 9B | 177 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
5 Stücke im Volkston, Op. 102: II. Langsam | Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | F Major | 0 | 7B | 62 BPM |
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