"Rigoletto / Act 2: "Tutte le feste...Ah, solo per me"" by Giuseppe Verdi, Hilde Gueden, Wiener Philharmoniker, Clemens Krauss was released on April 6, 2024. The duration of Rigoletto / Act 2: "Tutte le feste...Ah, solo per me" is about 3 minutes long, at 3:07. Based on our data, "Rigoletto / Act 2: "Tutte le feste...Ah, solo per me"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 41 out of 68 in Dies irae by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Rigoletto / Act 2: "Tutte le feste...Ah, solo per me" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rigoletto / Act 2: "Tutte le feste...Ah, solo per me" by Giuseppe Verdi, Hilde Gueden, Wiener Philharmoniker, Clemens Krauss is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
Donizetti: L'elisir d'amore, Act 2: No. 11 "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, Muenchner Rundfunkorchester | B♭ Major | 1 | 6B | 131 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa | Giacomo Puccini, Philharmonia Orchestra, Giuseppe Sinopoli, Ambrosian Opera Chorus | B♭ Major | 0 | 6B | 76 BPM | ||
Il Trovatore, IGV 31, Act II: "Mal reggendo all'aspro assalto" (Manrico, Azucena) | Giuseppe Verdi, Salvatore Cammarano, Palacio de las Bellas Artes Orchestra, Guido Picco, Kurt Baum, Giulietta Simionato | E♭ Major | 4 | 5B | 127 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
La traviata / Act I: "Follie! Delirio vano è questo!... Sempre libera" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | ||
Macbeth / Act 4: Una macchia è qui tuttora | Giuseppe Verdi, Stefania Malagu, Shirley Verrett, Carlo Zardo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D♭ Major | 0 | 3B | 82 BPM |
Section: 0.865577220916748
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