Carl Orff, Edita Gruberova, Thomas Hampson, Knabenchor des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / 3. Cour d'amours: XXII. Tempus est iocundum" available on January 1, 1989. The duration of Carmina Burana / 3. Cour d'amours: XXII. Tempus est iocundum is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Carmina Burana / 3. Cour d'amours: XXII. Tempus est iocundum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / 3. Cour d'amours: XXII. Tempus est iocundum is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / 3. Cour d'amours: XXII. Tempus est iocundum by Carl Orff, Edita Gruberova, Thomas Hampson, Knabenchor des Staats- und Domchores Berlin, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | D♭ Minor | 0 | 12A | 86 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo | Karoly Botvay | B♭ Major | 0 | 6B | 68 BPM | ||
Toccata and Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Hannes Kästner | D Minor | 1 | 7A | 66 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Alain Lombard, Orchestre Philharmonique De Strasbourg | D Major | 3 | 10B | 166 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | D Minor | 2 | 7A | 123 BPM | ||
Symphony No. 5 in C minor Op. 67: I. Allegro con brio | Sir Roger Norrington, London Classical Players | C Minor | 2 | 5A | 107 BPM |
Section: 0.7221713066101074
End: 0.7284879684448242