"Strauss, R: Also sprach Zarathustra, Op. 30: Introduction" by Richard Strauss, Alain Lombard, Orchestre Philharmonique De Strasbourg was released on August 1, 2011. With Strauss, R: Also sprach Zarathustra, Op. 30: Introduction being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The Olympic Experience". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. The popularity of Strauss, R: Also sprach Zarathustra, Op. 30: Introduction is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: Introduction by Richard Strauss, Alain Lombard, Orchestre Philharmonique De Strasbourg having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op. 64, TrV 233: No. 14, Vision | Richard Strauss, Boston Symphony Orchestra, Andris Nelsons | A♭ Minor | 2 | 1A | 125 BPM | ||
Peer Gynt, Op.23 - Incidental Music: No.8. In the Hall of the Mountain King | Edvard Grieg, Margaret Lisi, San Francisco Symphony Chorus, Kaare Myksvoll, Maria Meyer, Kristina Rapp, Gregory Nybo, David Hess, San Francisco Symphony, Herbert Blomstedt | G Major | 1 | 9B | 116 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Handel: Water Music Suite No. 2, HWV 349: Alla Hornpipe | George Frideric Handel, Virtuosi Of England, Arthur Davison | D Major | 1 | 10B | 110 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio | Ludwig van Beethoven, Dresdner Philharmonie, Herbert Kegel | C Minor | 2 | 5A | 94 BPM | ||
Carmen Suite No. 2: Habanera: Allegretto quasi Andantino (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 0 | 10B | 94 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
The Marriage of Figaro (overture) | Radio Orchestra Berlin | E♭ Major | 2 | 5B | 74 BPM |
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