Johann Strauss II, Wiener Philharmoniker, Karl Böhm made "Die Fledermaus: Overture" available on January 1, 1972. Since Die Fledermaus: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Strauss, J.: Die Fledermaus". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Die Fledermaus: Overture is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Die Fledermaus: Overture by Johann Strauss II, Wiener Philharmoniker, Karl Böhm having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’Arlésienne Suite No. 2: IV. Farandole | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
Symphony No. 8 In B Minor, D.759 - "Unfinished": I. Allegro moderato | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | B Minor | 0 | 10A | 116 BPM | ||
Symphony No. 2 in C minor - "Resurrection" / 5th Movement: Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | E♭ Major | 3 | 5B | 87 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
The Gadfly, Op. 97: 3. Youth (Romance) | Dmitri Shostakovich, Erez Ofer, Philadelphia Orchestra, Riccardo Chailly | C Minor | 1 | 5A | 95 BPM | ||
La traviata / Act 1: "Un dì felice, eterea" | Giuseppe Verdi, Rolando Villazón, Anna Netrebko, Wiener Philharmoniker, Carlo Rizzi | F Major | 1 | 7B | 160 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Minor | 2 | 9A | 87 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Hungarian Dance No.9 In E Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 84 BPM | ||
Fatinitza-Marsch | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | G Major | 4 | 9B | 117 BPM |
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