Paul Hindemith, Claudio Abbado, Berliner Philharmoniker's 'Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: I. Nicht zu schnell' came out on October 1, 2007. The duration of Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: I. Nicht zu schnell is about 3 minutes long, at 3:11. Based on our data, "Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: I. Nicht zu schnell" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Paul Hindemith, Claudio Abbado's "Hindemith: Kammermusik 1-7 & Der Schwanendreher" album is number 9 out of 31. In terms of popularity, Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: I. Nicht zu schnell is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Hindemith: Kammermusik No. 7 for Organ and Orchestra, Op. 46 No. 2: I. Nicht zu schnell by Paul Hindemith, Claudio Abbado, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 2, Op. 55: I. The Abduction (Ingrid's Lament) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Minor | 1 | 6A | 135 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 82 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Symphony in C: I. Moderato alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | C Major | 1 | 8B | 78 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Viola Sonata: I. Impetuoso | Rebecca Clarke, Philip Dukes, Sophia Rahman | F Major | 1 | 7B | 79 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Oboe Concerto: II. Minuet and Musette. Allegro moderato | Ralph Vaughan Williams, Peter Oundjian, Toronto Symphony Orchestra, Sarah Jeffrey | C Major | 1 | 8B | 138 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 125 BPM |
Section: 0.7513754367828369
End: 0.756211519241333