Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet
Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov
Minkus, L.: Don Quixote [Ballet]
5:14 January 1, 1995
BPM
93
Key
D Major
Camelot
10B

Embed

Share Link

Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet - Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov Information

Acousticness
93%
Danceability
18%
Energy
2%
Instrumentalness
16%
Liveness
13%
Loudness
50%
Speechiness
4%
Valence
10%
Popularity
Loudness
-30.223 dB

Summary

"Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet" by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov was released on January 1, 1995. With this song being about 5 minutes long, at 5:14, "Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet" by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 21 out of 56. In terms of popularity, Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet BPM

We consider the tempo marking of Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezCarmen Suite No. 2 (Arr. E. Guiraud): II. HabaneraGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezD Major010B127 BPM
Centre Tendu (from La Bayadère) by Douglas Schultz, Ludwig MinkusCentre Tendu (from La Bayadère)Douglas Schultz, Ludwig MinkusE Major212B118 BPM
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation by Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris SpassovDie Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's VariationBoris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris SpassovA♭ Major14B95 BPM
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz by New Philharmonia Orchestra London, Lawrence SiegelThe Sleeping Beauty, Ballet Suite, op. 66a: WaltzNew Philharmonia Orchestra London, Lawrence SiegelB♭ Major16B108 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version by Henryk Wieniawski, Itzhak Perlman, Samuel SandersScherzo-tarantelle in G Minor, Op.16 - 1987 Remastered VersionHenryk Wieniawski, Itzhak Perlman, Samuel SandersD Major310B114 BPM
Diana and Actaeon: Pas de deux (Arr. March) by Riccardo Drigo, English Chamber Orchestra, Richard BonyngeDiana and Actaeon: Pas de deux (Arr. March)Riccardo Drigo, English Chamber Orchestra, Richard BonyngeA Major211B98 BPM
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 by Johannes Brahms, Budapest Festival Orchestra, Iván FischerHungarian Dance No. 5 in G Minor, WoO 1, No. 5Johannes Brahms, Budapest Festival Orchestra, Iván FischerF♯ Minor111A107 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzG Minor16A83 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8512916564941406

End: 0.8553066253662109