"Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet" by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov was released on January 1, 1995. With this song being about 5 minutes long, at 5:14, "Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet" by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov's "Minkus, L.: Don Quixote [Ballet]" album is number 21 out of 56. In terms of popularity, Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote: Act I: Don Quixote invites Quiteria to a Minuet by Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 127 BPM | ||
Centre Tendu (from La Bayadère) | Douglas Schultz, Ludwig Minkus | E Major | 2 | 12B | 118 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
The Sleeping Beauty, Ballet Suite, op. 66a: Waltz | New Philharmonia Orchestra London, Lawrence Siegel | B♭ Major | 1 | 6B | 108 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Diana and Actaeon: Pas de deux (Arr. March) | Riccardo Drigo, English Chamber Orchestra, Richard Bonynge | A Major | 2 | 11B | 98 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | G Minor | 1 | 6A | 83 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
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