"Diana and Actaeon: Pas de deux (Arr. March)" by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge was released on August 22, 1990. Since Diana and Actaeon: Pas de deux (Arr. March) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 10 in Ballet Gala by Richard Bonynge, Ludwig Minkus, English Chamber Orchestra, Cesare Pugni, Jacques Offenbach, Riccardo Drigo, Daniel Auber, Domenico Scarlatti, Ambroise Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Diana and Actaeon: Pas de deux (Arr. March) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Diana and Actaeon: Pas de deux (Arr. March) by Riccardo Drigo, English Chamber Orchestra, Richard Bonynge is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
Romance, Op. 26 | Johan Svendsen, Béla Bánfalvi, Budapest Strings, Karoly Botvay | G Major | 1 | 9B | 71 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Crazy Dog | John Barry, English Chamber Orchestra | C Major | 1 | 8B | 89 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23b. Pas de quatre: Variation I (Valse)(Golden Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | D♭ Major | 0 | 3B | 87 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: VIII. Midnight | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
La Bayadère / Act 2: No.36 Moderato (No.11) (original Pavlova material) | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 96 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM | ||
The Cottage On The Beach | Dario Marianelli, Jean-Yves Thibaudet | G Minor | 2 | 6A | 71 BPM | ||
The beyondness of things | John Barry, English Chamber Orchestra | F Minor | 3 | 4A | 101 BPM |
Section: 0.5777871608734131
End: 0.5812797546386719