"Flavio Crispo, Act I: Non contrasti il fato ingrato" by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek was released on March 15, 2019. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Johann David Heinichen, Il Gusto Barocco, Jörg Halubek's "Heinichen: Flavio Crispo" album is number 5 out of 74. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Flavio Crispo, Act I: Non contrasti il fato ingrato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Flavio Crispo, Act I: Non contrasti il fato ingrato by Johann David Heinichen, Il Gusto Barocco, Unknown Artist, Jörg Halubek to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 2 in A Major, C. 91 "The Visitation": Sonata - Allemanda - Presto | Heinrich Ignaz Franz von Biber, Rachel Podger, David Miller, Marcin Świątkiewicz, Jonathan Manson | A♭ Major | 1 | 4B | 67 BPM | ||
Sinfonia in A Major: III. Presto assai | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 113 BPM | ||
Ouverture a 7 concertanti in F Major - 2 Violini, 2 Oboe, Viola, Fagotto, Basso Continuo: Grave - Allegro - Grave: Grave - Allegro - Grave | Jan Dismas Zelenka, Il Fondamento, Paul Dombrecht | B Major | 3 | 1B | 121 BPM | ||
Concerto for Oboe d’amore in A Major, BWV 1055R: II. Larghetto - Reconstruction of BWV 1055, Concerto in A Major for Harpsichord | Johann Sebastian Bach, Gonzalo X Ruiz, Monica Huggett, Portland Baroque Orchestra | F Minor | 0 | 4A | 70 BPM | ||
Mass No. 11 in D Major / Gloria: IId. Cum Sancto Spiritu | Johann David Heinichen, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann | D♭ Major | 2 | 3B | 125 BPM | ||
Concerto For 3 Harpsichords In C Major, BWV 1064: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | C Major | 3 | 8B | 91 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Anacréon - original version / Scene 5: Contredanse | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | E♭ Major | 1 | 5B | 106 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM |
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