Johann David Heinichen, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann's 'Mass No. 11 in D Major / Gloria: IId. Cum Sancto Spiritu' came out on April 1, 2015. With Mass No. 11 in D Major / Gloria: IId. Cum Sancto Spiritu being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann David Heinichen, Christine Wolff, Monika Frimmer, Patrick Van Goethem, Kai Wessel, Uwe Stickert, Hermann Oswald, Jochen Kupfer, Andreas Scheibner, Egbert Junghanns, Dresdner Kammerchor, Hans-Christoph Rademann, Dresdner Barockorchester's "Johann David Heinichen: Messen" album is number 5 out of 35. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mass No. 11 in D Major / Gloria: IId. Cum Sancto Spiritu's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 11 in D Major / Gloria: IId. Cum Sancto Spiritu by Johann David Heinichen, Dresdner Kammerchor, Dresdner Barockorchester, Hans-Christoph Rademann to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto in F Major, S. 235: 3. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
Concerto in C major Seibel 211: 1. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 115 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM | ||
Concerto In D Major, Op.26, No.6: 3. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 109 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 3 | 2B | 123 BPM | ||
La morte del cor penitente, Pt. 1: Sinfonia | Giovanni Legrenzi, Sonatori de la Gioiosa Marca | C Minor | 1 | 5A | 192 BPM | ||
Concerto primo in G Major: I. Andante - Allegro | Baldassare Galuppi, Ensemble StilModerno | G Major | 2 | 9B | 122 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM |
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