Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso's 'Concerto No. 3 in B Minor, SF 937 "La Cetra": II. Adagio' came out on August 29, 2014. With Concerto No. 3 in B Minor, SF 937 "La Cetra": II. Adagio being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 21 in A. Marcello: 6 Concertos "La Cetra" - Concerto in D Minor for Oboe and Strings by Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion. In terms of popularity, Concerto No. 3 in B Minor, SF 937 "La Cetra": II. Adagio is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concerto No. 3 in B Minor, SF 937 "La Cetra": II. Adagio by Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach Siciliano | Nimrod David Pfeffer | G Minor | 0 | 6A | 94 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Dvořák: 7 Gipsy Melodies, Op. 55, B. 104: No. 4, Als die alte Mutter (Arr. for Trumpet and Orchestra) | Antonín Dvořák, Tine Thing Helseth, Eivind Aadland, Royal Liverpool Philharmonic Orchestra | D Major | 1 | 10B | 92 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: I. Kyrie | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | C Major | 3 | 8B | 118 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Symphony in D Major, F. 29: II. Andante grazioso | Josef Mysliveček, Matthias Bamert, London Mozart Players | D Major | 0 | 10B | 81 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 81 BPM | ||
Oboe Concerto in D Minor, S. Z799: Andante in D Minor (arr. A. Lagoya for 2 guitars) | Anonymous , Alessandro Marcello, Ida Presti, Alexandre Lagoya | D Minor | 0 | 7A | 115 BPM |
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