"Overture (Suite) in G Minor, TWV 55:g3: Preludio: Grave" by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider was released on January 1, 2003. The duration of Overture (Suite) in G Minor, TWV 55:g3: Preludio: Grave is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Overture (Suite) in G Minor, TWV 55:g3: Preludio: Grave's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #18. Based on our statistics, Overture (Suite) in G Minor, TWV 55:g3: Preludio: Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in G Minor, TWV 55:g3: Preludio: Grave by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Flute Concerto in D Major: III. Allegro assai | Baldassare Galuppi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | D Major | 2 | 10B | 115 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Flute Concerto in D Minor, Wq. 22, H. 425 (arr. R.O. Quero for oboe, strings and harpsichord): I. [Allegro] | Carl Philipp Emanuel Bach, Ramon Ortega Quero, Kammerakademie Potsdam | D Minor | 2 | 7A | 94 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto Grosso in C Minor, Op. 2, No. 2: II. Allegro | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 2 | 5A | 97 BPM | ||
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM |
Section: 0.5717184543609619
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