Aniara: Act I Scene 3: Sa talade den döve, som var stum - Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg Information

"Aniara: Act I Scene 3: Sa talade den döve, som var stum" by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg was released on January 1, 2002. With Aniara: Act I Scene 3: Sa talade den döve, som var stum being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 21 out of 42 in Aniara by Karl-Birger Blomdahl, Stig Westerberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Aniara: Act I Scene 3: Sa talade den döve, som var stum is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Aniara: Act I Scene 3: Sa talade den döve, som var stum BPM

The tempo marking of Aniara: Act I Scene 3: Sa talade den döve, som var stum by Karl-Birger Blomdahl, Lena Hoel, Viveca Anderberg, Erik Saeden, Jerker Arvidson, Bjorn Haugan, Stefan Parkman, Mikael Samuelson, Thomas Sunnegardh, Radio Chorus, Swedish Radio Symphony Orchestra, Stig Westerberg is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Aniara: Act I Scene 3: Sa talade den döve, som var stum Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.