"Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women)" by Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin was released on June 1, 2012. Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) appears to be safe for all ages as it is not explicit. This song is part of Wagner: Lohengrin by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin. The song's track number on the album is #10 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) by Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
Carmina Burana - Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly | D Minor | 2 | 7A | 137 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind die Toten - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM | ||
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Liebeslieder-Walzer, Op. 52 - Verses from "Polydora": 9. Am Donaustrande, da steht ein Haus | Johannes Brahms, Anthony Paratore, Joseph Paratore, Rundfunkchor Berlin, Robin Gritton | E Major | 0 | 12B | 162 BPM | ||
Tristan und Isolde / Act 3: "Hei nun! Wie du kamst?" | Richard Wagner, Dietrich Fischer-Dieskau, René Kollo, Staatskapelle Dresden, Carlos Kleiber | F Minor | 2 | 4A | 170 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Parsifal / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" | Richard Wagner, Franz-Josef Selig, Benedikt Kobel, In-Sung Sim, Vienna State Opera Orchestra, Christian Thielemann, Vienna State Opera Chorus | C Major | 1 | 8B | 111 BPM |
Section: 0.8948996067047119
End: 0.8999786376953125