Arthur Sullivan, Ann Hood, Valerie Masterson, Philip Potter, David Palmer, Jeffrey Skitch, Royal Philharmonic Orchestra, Sir Malcolm Sargent's 'The woman of the wisest wit' came out on January 1, 1965. The duration of The woman of the wisest wit is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. The woman of the wisest wit's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Sir Malcolm Sargent's "Gilbert & Sullivan: Princess Ida / Pineapple Poll" album is number 15 out of 38. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, The woman of the wisest wit is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The woman of the wisest wit by Arthur Sullivan, Ann Hood, Valerie Masterson, Philip Potter, David Palmer, Jeffrey Skitch, Royal Philharmonic Orchestra, Sir Malcolm Sargent to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté parisienne: Allegro brillante | Jacques Offenbach, Pittsburgh Symphony Orchestra, André Previn | G Major | 4 | 9B | 113 BPM | ||
Forkladd gud, Op. 24: Vad faller over traden for silverglans | Lars-Erik Larsson, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | B Minor | 2 | 10A | 89 BPM | ||
H.M.S. Pinafore, Act II: He Is an Englishman | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 59 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
Delibes: Lakmé, Act 1: "À l'heure accoutumée" (Chœur, Nilakantha) | Léo Delibes, Georges Prêtre, Chœur du Théâtre National de l’Opéra-Comique, Ernest Blanc, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 170 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Suor Angelica: Ave Maria, piena di gratia | Giacomo Puccini, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 0 | 7B | 106 BPM | ||
I've Got a Little List (from "The Mikado") | William Schwenck Gilbert, Arthur Sullivan, Donald Adams, James Walker, Royal Philharmonic Orchestra | F Minor | 2 | 4A | 82 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Zeller: Der Obersteiger, Act 2: "Sei nicht bös" (Martin) | Carl Zeller, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM |
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