"Symphony No. 8 in B Minor D. 759 "Unfinished": II. Andante con moto" by Berliner Symphoniker was released on June 7, 2013. Symphony No. 8 in B Minor D. 759 "Unfinished": II. Andante con moto appears to be safe for all ages as it is not explicit. There are a total of 11 in the song's album "Schubert: The Masterpieces". In this album, this song's track order is #6. Symphony No. 8 in B Minor D. 759 "Unfinished": II. Andante con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 8 in B Minor D. 759 "Unfinished": II. Andante con moto by Berliner Symphoniker having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Bach, JS: Johannes-Passion, BWV 245, Pt. 2: No. 28, Choral. "Er nahm alles wohl in acht" | Johann Sebastian Bach, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin, Berliner Symphoniker | A Major | 2 | 11B | 168 BPM | ||
Mozart: Symphony No.40 in g minor, K550 Ⅰ-Molto Allegro | CHA Medical Center | G Minor | 2 | 6A | 122 BPM | ||
Hungarian Dances, WoO 1: No. 1 in G Minor | Johannes Brahms, Cristian Mandeal, George Enescu Philharmonic Orchestra, Bucharest | G Minor | 2 | 6A | 73 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Minuet from String Quintet in E, Op.13, No.5 | Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger | A Major | 0 | 11B | 106 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45, "Farewell": I. Allegro assai | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | F♯ Minor | 2 | 11A | 156 BPM |
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