"Minuet from String Quintet in E, Op.13, No.5" by Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger was released on January 1, 1995. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 16 in Baroque Favourites by Stuttgart Chamber Orchestra, Karl Münchinger. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Minuet from String Quintet in E, Op.13, No.5 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Minuet from String Quintet in E, Op.13, No.5 by Luigi Boccherini, Stuttgart Chamber Orchestra, Karl Münchinger is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
The Art of Fugue, BWV 1080 - -: No. 6 Contrapunctus VI | Johann Sebastian Bach, Stuttgart Chamber Orchestra, Karl Münchinger | F♯ Minor | 1 | 11A | 163 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
String Quartet in F Major, Op. 3 No. 5: II. Andante cantabile (Serenade) | Roman Hoffstetter, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 176 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
Saint-Saëns: Romance pour cor et orchestre, Op. 36 (Version for Cello and Piano) | Camille Saint-Saëns, Roland Pidoux | F Major | 0 | 7B | 132 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Symphony in D Major Op. 18, No. 4: II. Andante | Johann Christian Bach, Stuttgart Chamber Orchestra, Karl Münchinger | C Major | 2 | 8B | 84 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM |
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