Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine's 'Carmen Fantasy, Op. 25: Introduction. Allegro Moderato' came out on January 1, 1993. The duration of Carmen Fantasy, Op. 25: Introduction. Allegro Moderato is about 3 minutes long, at 3:22. Based on our data, "Carmen Fantasy, Op. 25: Introduction. Allegro Moderato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 17 in Anne-Sophie Mutter - Carmen-Fantasie by Anne-Sophie Mutter, Pablo de Sarasate, Wiener Philharmoniker, Henryk Wieniawski, James Levine, Giuseppe Tartini, Maurice Ravel, Jules Massenet, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Carmen Fantasy, Op. 25: Introduction. Allegro Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Fantasy, Op. 25: Introduction. Allegro Moderato by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kleiner Anzeiger, Galopp, Op. 4 | Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 7 | 5B | 86 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): Introduction [Allegro moderato] | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A♭ Major | 1 | 4B | 150 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim | B♭ Minor | 2 | 3A | 82 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Die Libelle, Polka-Mazur, Op. 204 | Josef Strauss, Georges Prêtre, Wiener Philharmoniker | G Major | 1 | 9B | 92 BPM | ||
Phönix-Marsch, Op. 105 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | E♭ Major | 5 | 5B | 108 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: I. Molto allegro e agitato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 98 BPM | ||
Au bord de l'eau, Op. 8, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | D Major | 1 | 10B | 84 BPM |
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