Josef Strauss, Daniel Barenboim, Wiener Philharmoniker made "Phönix-Marsch, Op. 105" available on January 7, 2022. The duration of Phönix-Marsch, Op. 105 is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Phönix-Marsch, Op. 105's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Neujahrskonzert 2022 / New Year's Concert 2022 / Concert du Nouvel An 2022". In this album, this song's track order is #1. In terms of popularity, Phönix-Marsch, Op. 105 is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Phönix-Marsch, Op. 105 by Josef Strauss, Daniel Barenboim, Wiener Philharmoniker having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Für die ganze Welt, Walzer | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 85 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Attack, Op. 156 | Karel Komzák, Czech Philharmonic Orchestra, Václav Neumann | D Major | 5 | 10B | 147 BPM | ||
Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM | ||
8 Slavonic Dances, Op. 46: No. 1 in C (Presto) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | F Major | 3 | 7B | 88 BPM | ||
Frisch heran! Polka schnell, Op. 386 | Johann Strauss II, Franz Welser-Möst, Wiener Philharmoniker | C Major | 3 | 8B | 90 BPM | ||
Pizzicato Polka (1870) | Johann Strauss II, Josef Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 0 | 8B | 99 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Minkus: La BayadŠre (Suite after the Ballet arranged by John Lanchbery): No. 8, Second Shade's Solo | Ludwig Minkus, Sydney Symphony Orchestra, John Lanchbery | G Major | 1 | 9B | 176 BPM |
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