"Au bord de l'eau, Op. 8, No. 1" by Gabriel Fauré, Mischa Maisky, Daria Hovora was released on April 13, 2020. The duration of Au bord de l'eau, Op. 8, No. 1 is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Au bord de l'eau, Op. 8, No. 1's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With French Classics by Gabriel Fauré, Maurice Ravel, Camille Saint-Saëns. The song's track number on the album is #48 out of 100 tracks. Based on our data, Germany was the country where this track was produced or recorded. Au bord de l'eau, Op. 8, No. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Au bord de l'eau, Op. 8, No. 1 by Gabriel Fauré, Mischa Maisky, Daria Hovora has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Au bord de l'eau, Op. 8, No. 1 being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: Ib. Méditation (Orch. Glazunov) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, National Philharmonic Orchestra of Russia, Vladimir Spivakov | B♭ Major | 2 | 6B | 99 BPM | ||
Fauré / Arr. Auber: Fantaisie, Op. 79 | Gabriel Fauré, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | C Major | 1 | 8B | 75 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Damunt de tu Només les flors | Federico Mompou, Arcadi Volodos | F Minor | 0 | 4A | 73 BPM | ||
Sonata for 2 Pianos in D Major, K.448/375a: II. Andante | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu | E Minor | 7 | 9A | 140 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): III. Andante moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM |
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